First edition, first issue of this treatise on painting by Roger de Piles, a renowned theoretician of art from the age of Louis XIV, and the artistic adviser of the duke of Richelieu, the dedicatee of the work. Cicognara, 180; Barbier, I, 1084.
The present work, in which the author confesses his great admiration for Rubens, is composed of two parts: the first one contains a Dissertation on the great masters followed by a description of eleven paintings by Rubens belonging to the duke of Richelieu; the second part is a Vie de Rubens. Roger de Piles was the artistic adviser of the duke of Richelieu.
« The duke of Richelieu first settled in the hotel of the place Royale, which his great-uncle had left him with a large number of paintings, statues, cabinets and furniture. As a true painting lover he had first a passion for Poussin; his gallery of the place Royale contained fifteen paintings by the hand of his favourite master and eight paintings by various artists. Unfortunately, the duke liked the real tennis as much as painting; one day as he was playing with the king, he risked all his paintings on a game and lost. The king estimated the gallery by Le Brun, who priced it 150 000 livres; Colbert received the order to pay and the paintings left the place Royale to enter the King’s Cabinet. Once he lost his first gallery, the duke started collecting again and, this time, advised by Roger de Piles, threw himself into Rubens. De Piles printed a catalogue of this collection, entitled ‘Dissertation sur les ouvrages des plus fameux peintres, dédiée à Monseigneur le Duc de Richelieu, 1681’. The description of the painting ‘La Chute des réprouvés’ is made by the duke himself. » (Bonnaffé, Dictionnaire des amateurs français, pp. 274-276).
« Roger de Piles, a painter, engraver and man of letters (1635-1709), published a few treatises on painting that made him estimated and sought-after by the famous artists and amateurs. De Piles was the secretary at the embassy of Venice. Then he went to Lisbon in 1685 and to Switzerland in 1689. Later, Louvois sent him to The Hague in order to deal in secret with the people who wished to turn the Dutch away from the great alliance. He was discovered and held prisoner during five years. It is while he was held that he spent his time writing his Vies des peintres. De Piles had the qualities that make love and value… he was honoured with the title of adviser –amateur– of the painting and sculpture society. His admiration for Rubens’ paintings was extreme. He looked like this painter regarding his enthusiasm for his art. He had a good head for colours and chiaroscuro. » (Biographie universelle, X, p. 119).
Piles had a fondness for Rubens and the colourists. In the second half of the 18th century in Paris, a lively dispute brings into conflict two conceptions of painting: the supporters of colour, in favour of the great Flemish master Rubens, and the supporters of drawing, attached to the Italian models such as Raphael and Nicolas Poussin. This debate had taken on new dimensions adopting a polemical form with the publication of satirical tracts. The quarrel ended to the benefits of the supporters of colour and Roger de Piles.
A precious copy bound as soon as published in red morocco with the crowned monogram of the dedicatee, Armand-Jean de Vignerot du Plessis (1631-1715), prince of Mortagne, duke of Fronsac and duke of Richelieu, great-nephew of the cardinal, who offered it right away to Jean-Baptiste Colbert, as the handwritten ex-libris shows on the title: « Bibliotheca Colbertina ».
Harry Potter and the Half-Blood Prince is the sixth novel in J. Rowling's Harry Potter series. Set during Harry Potter's sixth year at Hogwarts, Lord Voldemort is definitely back, and with a. An impossibly rare 1987 U.S. First pressing LP of Prince’s The Black Album. To our knowledge, this is only the second confirmed example to be offered for sale (the first sold by Rockaway Records more than 20 years ago.) This copy was given by Prince to an employee, who passed it on to another Prince employee, from whom we obtained it. Read ½ Prince - Volume 1 Chapter 1 online, free from your Mobile, Table, PC. Novel Updates Daily.
Provenance: Armand-Jean de Vignerot du Plessis, duke of Richelieu (crowned monogram on the covers), Jean-Baptiste Colbert (handwritten ex libris on the title), Alphonsine Dusillion (handwritten ex libris dated 1812 on the last blank leaf), Léon Galicia (ex libris at the beginning of the volume).
by Aedín Ní Bhróithe Clements, Irish Studies Librarian
Prince: In this work principe isn’t a title and doesn’t desig-nate a rank; it stands for any ruler of a state, whether a king or queen or duke or count etc. The English word ‘prince’ also had that broad meaning once (Queen Elizabeth I referred to herself as a ‘prince’), and it seems the best word to use here.
Oscar Wilde’s book for children, The Happy Prince and Other Tales, published in 1888, has attracted many artists and printers over the years. The stories have also been adapted for stage performances including, as I discovered recently, a ballet which will be performed in Grand Rapids, Michigan in 2018.
Wilde’s stories, in the tradition of literary fairy tales such as those of Hans Christian Andersen, depict poverty, suffering, cruelty and arrogance, with sacrifice or martyrdom occurring more than once. In the title story, the statue of a prince who had been sheltered in luxury while he lived, could now view from his pedestal the poverty and suffering in his city, and so he convinced a swallow to carry each of the statue’s jewels to someone in need. The Happy Prince and Other Tales consists of the following five stories: ‘The Happy Prince’, ‘The Selfish Giant’, ‘The Nightingale and the Rose’, ‘The Devoted Friend’, and ‘The Remarkable Rocket’.
Wilde published a second collection of fairy tales, The House of Pomegranates in 1891. These stories are generally more complex and dark, but over the following century many books have included a selection drawn from both books. Out of the four stories in this book, ‘The Star Child’ and ‘The Young King’ are more likely to be included in selections intended for children. ‘The Fisherman and his Soul’ and ‘The Birthday of the Infanta’ are rarely considered suitable for child readers.
A glance at the editions in our collection, with their range of illustrations and book production styles, demonstrate ambivalence in terms of identifying the appropriate audience for Wilde’s stories. Illustrators Walter Crane and P. J. Lynch both illustrated the book for a child audience, while many editions produced in the intervening century are more appropriately seen as gift books for adults.
The Happy Prince and Other Tales was first published in 1888 by Alfred Nutt and is illustrated throughout. The frontispiece is by Walter Crane, as are a plate illustrating ‘The Selfish Giant’ (shown below) and one illustrating ‘The Remarkable Rocket’. Crane (1845-1915) is frequently cited along with Randoph Caldecott and Kate Greenaway as one of the premier illustrators of children’s books in Victorian Britain.
Small illustrations by illustrator and engraver Jacomb Hood decorate the head of each story. The stories are also richly decorated with vignettes or small decorations.
Another early edition was illustrated by Charles Robinson (1870-1937), one of three brothers who were all prolific book illustrators. This 1913 edition includes eleven color plate illustrations in addition to the frontispiece. As these plates are tipped-in, or attached to pages of the book, it is rare to find an original copy with all plates intact.
With over fifty pages decorated by Robinson, this is what booksellers would call a ‘lavishly-illustrated book’, and these illustrations are reproduced in many later editions and adaptations.
The Overbrook Press produced a limited edition of The Happy Prince and Other Tales by Oscar Wilde with wood engravings by Rudolph Ruzicka. This 1936 edition is part of the Hesburgh’s collection of 135 books from the Overbrook Press of Stamford, Connecticut.
Another fine printing, clearly not intended for the hands of children, is the silk-bound edition published by Kurt Volk, New York, in 1955. This book includes the title story, a short essay on ‘Oscar Fingall O’Flahertie Wilde’, and a slightly abbreviated version of W. B. Yeats’ introduction to a 1923 edition of The Happy Prince and Other Fairy Tales. [i]
One of the most recent editions is illustrated by leading Irish illustrator P. J. Lynch, also known for the award-winning book The Christmas Miracle of Jonathan Toomey and his recent book The Boy who Fell off the Mayflower. This edition of Wilde’s Stories for Children, published in 1990, includes ‘The Young King’ in addition to all five stories from The Happy Prince. Lynch has not placed ‘The Happy Prince’ in first place—rather, the book begins with ‘The Selfish Giant’.
Prince The Work Volume 1 Rarest
Authors of introductions range from W. B. Yeats, who knew Oscar Wilde, to Stephen Fry, the actor who played Oscar Wilde in the film Wilde.
The bibliography below lists the editions held in the Hesburgh Library’s Special Collections.
Bibliography
The Happy Prince and Other Tales. Illustrated by Walter Crane and Jacomb Hood. London: David Nutt, 1888. (1,000 copies printed)
Special Collections: in process.
The Happy Prince and Other Tales. Illustrated by Charles Robinson. London, 1913.
Special Collections: in process.
Prince The Work Volume 1 Rare Songs
The Happy Prince and Other Tales. New York: R. K. Haas, c. 1925.
Special Collections Rare Books XSmall PR 5818 .H27 1925z
The Happy Prince and Other Tales. Wood engravings by Rudolph Ruzicka. Stamford, Conn.: The Overbrook Press, 1936. (Limited edition of 250 copies).
Special Collections Rare Medium Z 232 .O87 W53 1936
The Happy Prince, and The Selfish Giant; Fairy Tales. With a foreword by Hal W. Trovillion. Herrin, Ill.: Trovillion Private Press, 1945.
Special Collections Rare Medium PR 5818 .H211 1945
The Happy Prince. Designed by Meyer Wagman and edited by Charles Brodie. New York: K. H. Volk, c. 1955. (Issued in a box. “…bound in moire silk and stamped with genuine gold.”)
Special Collections Rare Medium PR 5818 .H211 1955
The young king and other fairy tales. Introduced by John Updike. Illustrated by Sandro Nardini and Enrico Bagnoli. NY: Macmillan, 1962.
Special Collections Rare XLarge PR 5811 1962
The Happy Prince. T. D. R. Powell, 1970. (Limited edition of 275 copies, signed by the publishers and the paper-makers, Sheepstor Handmade Papers.)
Special Collections Rare Medium PR 5818 .H211 1970
Fairy Tales and stories. Octopus, 1980.
Special Collections (MR) Medium PR 5816 1980
Stories for Children. Illustrated by P. J. Lynch. New York: Macmillan, 1991.
Special Collections (MR) Large PR 5811 1991
Fairy Tales of Oscar Wilde. Illustrated by P. Craig Russell. NY: Nantier, Beall, Minoustchine, c. 1992. (Five volume set.)
Special Collections (MR) PN 6727 .R85 F35 1992
[i] The full text of this introduction is online in The W. B. Yeats Collection (a Chadwyck-Healey subscription database) which includes the following source information: Introduction to Oscar Wilde, The Happy Prince and Other Fairy Tales (1923). According to catalog records such as in the Hathi Trust, this appears to be volume 3 of a multi-volume collection of the works of Oscar Wilde.
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